Mandana Painting- MeMeraki.com
Mandana Paintings

Mandana Paintings, one of the oldest forms of tribal art of India is predominantly done by the Meena community in Rajasthan and Madhya Pradesh. One...  Read More

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Graceful Tales: A Journey of Woman through the Mandana Tapestrye Mandana Painting by Vidya Devi Soni for sale
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Nurturing Symphony: Nest of Love Mandana Painting by Vidya Devi Soni for sale
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Tender Embrace: Mandana Marvel on Canvas by Vidya Devi Soni for sale
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Harmony of the Wild: Interdependency of Life by Vidya Devi Soni for sale
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Rabbit Mandana Painting by Dinesh Soni
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Cow Mandana Painting by Dinesh Soni
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Elephant Mandana Painting by Dinesh Soni
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Tiger Mandana Painting by Dinesh Soni
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Tiger Mandana Painting by Dinesh Soni
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Abstract Forest Life Mandana Painting by Dinesh Soni
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Abstract Forest Life Mandana Painting by Dinesh Soni
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Tiger Mandana Painting by Vidya Dinesh Soni
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Adijavi Jeevan  Mandana Painting by Vidya Devi Soni
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अठखेलियां, Fun and Games Mandana Painting by Vidya Devi Soni
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Shakarpare ka chowk Mandana Painting by Vidya Devi Soni
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kamal baavadee/ Kamal Baori: Mandana Painting by Vidya Devi Soni
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Mangal Kalash Mandana Painting
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Deepak ki Chowk Mandana Painting
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Deepak Mandana Painting
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Beejni, the handfan: Mandana Painting by Vidya Devi Soni-
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FAQs

Regardless of written records being absent, the origin of Mandana paintings dates back to the Vedic age, 1500 to 500 BCE. This theory’s relevance is the similarities between the designs in Mandana art and the designs found on the Vastu purusha mandalas. Vastu purusha mandalas are altars of Vedic pujas and the architecture of ancient Vedic temples.
The cultural deities, altars of Vedic yajna, plants, animals, and birds that are considered auspicious, mostly peacocks are the most sought-after designs that are found in these paintings.
The making of Mandana paintings is an art in itself. It inculcates the traditions and cultures of its people into a simple, yet attractive painting. The clay and the mixture of water and cow dung mark the beginning of the process as it plasters the traditional pattern of the floor. The brush made of twigs, cotton and a small portion of squirrel hair are the painting tools. The colors used are red and white, as these are the only ones easily available in abundance in the area. Brick and chalk are the sources of red and white colors.
Earlier, it used camel or wild ass dung and clay, but later the evolutionists used the husk of bajra as an alternative. Today the artists have shifted to using newspapers to avoid the pungent smell as well as to keep the termites away. The characteristic white colour of the Lippan kaam was earlier made using white clay or white sand from the Kutch. Today however, most artists use synthetic white paint.

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