7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni
7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni

7 Phoolon Ka Chowk, Mandana Painting by Vidya Devi Soni


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Vidya Soni - MeMeraki.com Vidya Soni
Size : Medium
Dimensions : H: 1.2 (ft) W: 0.9 (ft) I H: 14 (in) W: 11 (in)
Medium : Natural Colors on Paper

About the Artwork +

This Mandana painting of Saat Phoolon ka Chowk is made by Vidya Soni. It is made by an unmarried woman to call upon a husband. 7 diyas are places for flowers that can also be placed in the 7 spots. A Kalash with water is kept in the centre. Mandanas are made on the occasion of worship rituals and ceremonies during many festivals. The occasions include Makar Sankranti, Dev Shayani-Dev Uthani Gyaras, Holi etc. It can be made in the house, courtyard and temple area in small or big sizes.

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    Colour Disclaimer+

    All artworks on the website are hand painted from scratch by our master artists. That makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.


    Artist


    Vidya Soni

    Vidya Devi Soni of Bhilwara began learning at the age of six under the guidance of her father, Shri Badri Lal, and mother, Smt Sumitra. Mandana refers to 'drawing' in the sense of chitra mandana or 'drawing a picture' in the local language. She still practises this traditional Indian art form at the age of 73 and was given the National Merit Award in 2017.

     



    Art Form

    Mandana

    Mandana Paintings, one of the oldest forms of tribal art of India is predominantly done by the Meena community in Rajasthan and Madhya Pradesh. One of the incredible feats of Mandana art is that it isn’t taught through mere formal training but passed along as girls learn it by observing and emulating their mothers. In a way, it is seen as a skill that has connected women over generations.  These paintings are often seen on walls and floors of rural mud houses, keeping the place ornamental. The theme differs from animals such as peacocks and elephants to wells and water bodies. Even without colour, it portrays a distinctive and diverse design that binds several generations together. Some believe that making these on the entrance of homes while serving its decorative attribute, also protects the home from evil. It has religious and auspicious significance as seen on major Indian festivals when it embellishes houses just like Rangoli art. It wards off wicked energies while manifesting divinity.



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