{"title":"Trilok Prakash Soni","description":"","products":[{"product_id":"24-darshans-of-shreenathji-in-pichwai-by-trilok-prakash-soni","title":"24 Darshans of Shreenathji in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis Pichwai by Trilok Prakash Soni is a devotional tribute to Shrinathji, capturing the 24 Darshans that represent the various festivals and seasons celebrated throughout the year at the Nathdwara temple.\u003cbr\u003e\u003cbr\u003ePichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old form of Krishna) and is known for its intricate detailing and rich, vivid colors. This specific composition focuses on the Swaroops (divine forms), capturing the rhythmic cycle of worship that has defined this art form for centuries.\u003cbr\u003e\u003cbr\u003eThe artwork is structured into twenty-four individual arched alcoves, each housing a unique depiction of Shrinathji. In every panel, the Lord is shown with his dark complexion, a peacock feather crown (mor mukut) and a beautifully detailed braid. Each form features distinct, vibrant garments and represents a specific shringar (adornment) corresponding to various festivals and times of the day. \u003cbr\u003e\u003cbr\u003eHe holds a lotus stick (kamal chadi) and a flute (bansuri), representing his role as the divine lover and protector of cattle (Gopala). His left arm is raised, symbolizing the protection of the people of Braj by lifting the Govardhan mountain. At the feet of each form, the artist has included essential ritual items such as a prasad box (for offerings), a jaldani (water pot) and paan beeda (betel leaves), grounding the spiritual scene in daily temple seva (service).\u003cbr\u003e\u003cbr\u003eThe painting is framed by two distinct and meaningful borders. Immediately surrounding the central panels on three sides is a parade of white cows on a dark background. These cows are decorated with saffron handprints, symbolising Shrinathji’s role as Gopala (protector of cows) and are essential motifs in the landscape of Vrindavan. The outermost frame is a vibrant, repetitive floral pattern on an ochre-yellow background, providing a cheerful and celebratory finish to the entire composition.\u003cbr\u003e\u003cbr\u003eThe color palette is a brilliant display of diversity and balance. The backgrounds of the individual alcoves vary, using mustard yellow, deep red, emerald green and soft grey, to differentiate between the various seasons and festive moods. \u003cbr\u003e\u003cbr\u003eThis highly organized and devotional painting serves as a visual encyclopedia of the Pushtimarg tradition. By bringing together many divine manifestations into a single frame, it offers a sense of spiritual completeness and rhythmic beauty. \u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48249635635414,"sku":null,"price":540000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._24_Darshans_of_Shreenathji_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779099764"},{"product_id":"vrindavan-forest-scene-in-pichwai-by-trilok-prakash-soni","title":"Vrindavan Forest Scene in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis beautiful Pichwai by Trilok Prakash Soni transports the viewer into the heart of a vibrant Vrindavan forest. Pichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old child manifestation of Krishna) and is known for its intricate detailing and rich, vivid colors.\u003cbr\u003e\u003cbr\u003eAt the heart of this composition stands Lord Krishna, his form rendered in a striking blue hue that contrasts beautifully with his attire of yellow, orange and green. He is shown in a graceful, rhythmic posture, playing his divine flute (bansuri). The melody produced is believed to call all souls toward the divine. He is adorned with a shimmering peacock feather crown (mor mukut) and a long, white garland that flows with his movement.\u003cbr\u003e\u003cbr\u003eHe is flanked by groups of Gopis, whose elegant forms and expressive gestures reflect a deep state of bhakti (devotion). Each Gopi is dressed in richly patterned ghagra-cholis in soft pastel colours, their hands raised in adoration or carrying offerings in the form of garlands, bowls of butter and pots of milk, completely enchanted by the music. In the foreground, white cows, decorated with saffron handprints, facing towards Krishna, symbolizing their role as his beloved companions.\u003cbr\u003e\u003cbr\u003eThe background is a dense, meticulously detailed forest. The landscape is a sea of varying green tones, featuring thick, overlapping trees with delicate leaves. Majestic peacocks with brilliant blue necks and trailing plumage are perched among the branches and on the forest floor, their presence signifying beauty and the monsoon-like joy of Krishna’s presence. The scene is anchored at the base filled with stylized lotus flowers blooming in the Yamuna river. This floral foundation provides a sense of purity and calm to the energetic forest scene.\u003cbr\u003e\u003cbr\u003eThe painting is framed by two distinct and meaningful borders. Immediately surrounding the central panels is a parade of white cows on a deep red background. These cows are decorated with saffron handprints, symbolising his role as Gopala (protector of cows) and are essential motifs in the landscape of Vrindavan.The outermost frame is a vibrant, repetitive floral pattern on an ochre-yellow background, providing a cheerful and celebratory finish to the entire composition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48249738887382,"sku":null,"price":608000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._Vrindavan_Forest_Scene_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779099919"},{"product_id":"raas-leela-in-pichwai-by-trilok-prakash-soni","title":"Raas Leela in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis beautiful Pichwai by Trilok Prakash Soni is a portrayal of Raas, set against a rare and regal deep maroon backdrop. Pichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old child manifestation of Krishna) and is known for its intricate detailing and rich, vivid colors. The composition is a masterful blend of earthly devotion and divine observation, illustrating the moment when the entire cosmos pauses to listen to Krishna’s flute.\u003cbr\u003e\u003cbr\u003eAt the heart of this composition stands Lord Krishna, his form rendered in a striking blue hue that contrasts beautifully with his radiant golden attire. He is shown standing in a delicate pose under the sheltering canopy of a stylized tree, playing his divine flute (bansuri). The melody produced, in tradition, calls all souls toward the divine. He is intricately adorned with a shimmering peacock feather crown (mor mukut), with a sacred cow standing directly behind him, emphasizing his intimate bond with his animal companions, highlighting his role as Gopala - the protector of cows.\u003cbr\u003e\u003cbr\u003eHe is flanked by six Gopis, three on either side, their hands raised in rhythmic dance and adoration. Their garments are intricately detailed with fine gold work, shimmering against the dark background. Above them, peacocks are perched among the mango trees, their presence signaling the divine joy that permeates the forest of Vrindavan.\u003cbr\u003e\u003cbr\u003eAt the base, the holy Yamuna is depicted with stylized lotus blooms, leaves and fish, creating a foundation of purity. Above the river, a row of cows led by cowherds moving in a procession stop to listen to the divine melody.\u003cbr\u003e\u003cbr\u003eAbove the central scene, the sky is filled with divine witnesses. Lord Brahma with his swan, Lord Vishnu with Garuda, Lord Shiva with Nandi and Sage Narada are depicted in celestial chariots, watching the celebration from the heavens alongside the Sun God. This signifies that the event is not merely an earthly celebration but a cosmic phenomenon witnessed by the highest deities.\u003cbr\u003e\u003cbr\u003eThe central scene is framed by a series of miniature panels, each depicting a Gopi in a unique posture of devotion carrying a fan or fly whisk, a bowl of offerings, practicing japa (repetition of a mantra or divine name) with japa mala (necklace of sacred beads) and playing musical instruments. This as a secondary choir to the main event. An outer frame in the form of a grand, wide border of golden floral creepers and rosettes gives the artwork an opulent finish.\u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48249743999190,"sku":null,"price":810000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._Raas_Leela_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779100205"},{"product_id":"krishna-leela-in-pichwai-by-trilok-prakash-soni","title":"Krishna Leela in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis complex Pichwai by Trilok Prakash Soni is a visual epic, meticulously weaving together several leelas (divine plays) of Lord Krishna into a singular, harmonious narrative. Pichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old child manifestation of Krishna) and is known for its intricate detailing and rich, vivid colors. This painting serves as a spiritual map of Braj, capturing moments of protection, mischief and domestic affection.\u003cbr\u003e\u003cbr\u003eThe central upper half of the composition depicts the pivotal Govardhan Puja episode. Under a darkening, stormy sky lit by streaks of lightning, Lord Krishna is shown lifting the Govardhan Mountain on his little finger to shield the villagers and cattle from Indra’s torrential rains. The mountain is rendered as a lush green mound, while below, the white cows, adorned with sacred saffron handprints, huddle safely near the Lord, symbolizing his role as the ultimate protector of cattle (Gopala). Indra sitting on Airavat in the sky and creating the storm has also been depicted. \u003cbr\u003e\u003cbr\u003eThe central scene is flanked by two distinct scenes that capture the different rasas of Krishna’s life. To the left is a charming depiction of the Maakhan Chor leela, where a youthful Krishna is shown playfully stealing butter, reflecting his endearing and mischievous nature. To the right, a scene of serene romantic devotion unfolds, featuring Radha and Krishna seated on a golden swing (Jhoola), surrounded by Gopis who bring various offerings and refreshments.\u003cbr\u003e\u003cbr\u003eThe lower half of the painting is structured by three elegant, white pavilions, each housing an intimate domestic scene. The main pavilion portrays a tender depiction of Mother Yashoda with Bal Krishna, highlighting the Vatsalya (maternal love) that is central to the Pushtimarg tradition. To the left, a solitary, graceful figure of Radha, and to the right, a dedicated form of Krishna, create a balance that anchors the entire composition.\u003cbr\u003e\u003cbr\u003eThe entire narrative is set within a dense, vibrant landscape typical of the Nathdwara style. The scene is populated with peacocks perched on the pavilion roofs and among the trees, while a thick grove of palms and flowering shrubs fills the spaces between the stories. At the very base, a serene water body represents the Yamuna River, filled with blooming pink lotuses that symbolize spiritual purity.\u003cbr\u003e\u003cbr\u003eThe painting is framed by a sophisticated miniature panel border, containing further stories of Krishna’s life. One panel depicts the dramatic scene of Vasudeva carrying the infant Krishna across the Yamuna River to escape King Kansa, reaching the safety of Gokul. Key exploits are meticulously rendered, including the Kaliya Mardan, where a youthful Krishna dances upon the hoods of the venomous serpent Kaliya to subdue him. \u003cbr\u003e\u003cbr\u003eAnother panel captures his mischievous side, depicting Krishna perched in a tree after stealing the Gopis' clothes as they bathed. The panels also depict themes of love and play, showing Krishna and Radha in intimate dialogue, and the joyous Holi celebrations where he and the Gopis are immersed in colors. \u003cbr\u003e\u003cbr\u003eThe bond of Krishna and Yashoda is tenderly portrayed, alongside scenes suggesting his divine marriage and his constant identity as the beloved cowherd surrounded by his herd. Interspersed among these stories are panels specifically depicting the worship of Shrinathji, showing priests performing shringar (adoration) and offerings, linking the mythological past to the living temple traditions.\u003cbr\u003e\u003cbr\u003eImmediately surrounding this is a parade of white cows on a red background. These cows are decorated with saffron handprints, symbolising Krishna's role as Gopala (protector of cows) and are essential motifs in the landscape of Vrindavan. The outermost frame is a vibrant, repetitive floral pattern on an ochre-yellow background, providing a cheerful and celebratory finish to the entire composition.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48270552858838,"sku":null,"price":675000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._Krishna_Leela_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779100538"},{"product_id":"nathdwara-temple-in-pichwai-by-trilok-prakash-soni","title":"Nathdwara Temple in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis beautiful Pichwai by Trilok Prakash Soni juxtaposes the architectural precision of the Shrinathji temple with the lyrical, pastoral beauty of Vrindavan. While the central map represents the structured devotion of the temple, the flanking panels act as a narrative window into the divine lila (play) of Krishna’s youth in the forests of Braj. Pichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old child manifestation of Krishna) and is known for its intricate detailing and rich, vivid colors.\u003cbr\u003e\u003cbr\u003eAt the core of this sprawling architectural marvel lies the Garbhagriha (inner sanctum). Shrinathji is depicted in his iconic form, black-marbled with his left arm raised, signifying the lifting of Mount Govardhan. He is surrounded by smaller, intricately rendered alcoves that house various Swaroops (other forms of Krishna), illustrating the complex nature of worship within the Nathdwara tradition. The temple is rendered as a pristine white fortress, punctuated by rhythmic windows and balconies. Multiple gateways are visible, each guarded by majestic elephants and tigers flanking the entrances. These animals serve both as royal symbols of Rajasthan and as spiritual guardians of the threshold. Perched atop the highest point of the structure is the Dhvaja (temple flag). \u003cbr\u003e\u003cbr\u003eMoving through the courtyards, the painting captures the bustling vitality of the temple. Numerous white cows are seen grazing and resting within the temple walls, emphasizing Krishna's identity as Gopala, and representative of the presence of Goshalas. Miniature vignettes populate the corridors, showing priests in traditional attire performing daily rituals and devotees moving through the various darshans. These scenes create a sense of temporal depth, showing different times of the day occurring simultaneously within one frame.\u003cbr\u003e\u003cbr\u003eThe left side of the composition is divided into three distinct vertical tiers, each nestled within a dense thicket of stylized banana trees and dark green foliage. The upper section depicts a playful scene in which Krishna can be seen troubling the Gopis. In the middle section, he plays the bansuri, surrounded by Gopis playing cymbals and drums, while others stand in rapt attention, illustrating the communal joy of the forest. The lower tier shows a graceful procession of Gopis in vibrant, patterned ghagra cholis, approaching Krishna. The repetition of these figures creates a sense of rhythmic movement, suggesting that the entire forest is alive with the sound of music and footsteps.\u003cbr\u003e\u003cbr\u003eThe right side of the painting shifts toward the more protective and intimate aspects of Krishna’s life in Vrindavan. In the upper right, the focus shifts to Krishna as the protector of his herd. He is shown among his beloved white cows, which are rendered with the characteristic Pichwai elegance, large, soulful eyes and graceful forms, set against a backdrop of rolling hills and distant white villas that suggest the outskirts of the village. At the bottom right, a beautiful monsoon scene unfolds. Krishna and Radha are seated on a flower-adorned swing suspended from a sturdy tree. Attendant Gopis stand nearby in prayerful poses, while white cows and calves gather at the base, emphasizing the tenderness of the scene.\u003cbr\u003e\u003cbr\u003eThe forest scenes are meticulously detailed to evoke the Vrindavan Bhava. Majestic peacocks with trailing plumage are scattered throughout, perched on branches or walking on the grass, signifying the presence of the divine. The thick, overlapping leaves of the trees are painted in varying shades of emerald and forest green, creating a sense of cool, shaded tranquility. The cows are decorated with saffron handprints, symbolising Shrinathji’s role as Gopala (protector of cows) and are essential motifs in the landscape of Vrindavan.The entire composition, both temple and forest, is anchored at the base by the holy Yamuna river. Lotuses in full bloom and graceful swans navigate the blue-grey waters, providing a continuous thread of purity that links the architectural world to the natural one.\u003cbr\u003e\u003cbr\u003eThe deep red border and the golden-ochre inner line unify these disparate worlds. Placing the \"Map of Nathdwara\" and the \"Forest of Vrindavan\" on the same canvas serves as a reminder that the temple is simply a gateway to the eternal, vibrant landscape of the Lord’s heart.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48270562328790,"sku":null,"price":810000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._Nathdwara_Temple_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779100863"},{"product_id":"shreenathji-temple-at-nathdwara-in-pichwai-by-trilok-prakash-soni","title":"Shreenathji Temple at Nathdwara in Pichwai by Trilok Prakash Soni","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis beautiful Pichwai by Trilok Prakash Soni serves as a visual pilgrimage, offering a bird's-eye map of the Shrinathji temple complex at Nathdwara. Pichwai is a traditional cloth-based scroll painting from Nathdwara, Rajasthan, primarily created to adorn the sanctuary of Shrinathji (a seven-year-old child manifestation of Krishna) and is known for its intricate detailing and rich, vivid colors. \u003cbr\u003e\u003cbr\u003eAt the core of this sprawling architectural marvel lies the Garbhagriha (inner sanctum). Shrinathji is depicted in his iconic form, black-marbled with his left arm raised, signifying the lifting of Mount Govardhan. He is surrounded by smaller, intricately rendered alcoves that house various Swaroops (other forms of Krishna), illustrating the complex nature of worship within the Nathdwara tradition.\u003cbr\u003e\u003cbr\u003eThe temple is rendered as a pristine white fortress, punctuated by rhythmic windows and balconies. Multiple gateways are visible, each guarded by majestic elephants and tigers flanking the entrances. These animals serve both as royal symbols of Rajasthan and as spiritual guardians of the threshold. Perched atop the highest point of the structure is the Dhvaja (temple flag). \u003cbr\u003e\u003cbr\u003eMoving through the courtyards, the painting captures the bustling vitality of the temple. Numerous white cows are seen grazing and resting within the temple walls, emphasizing Krishna's identity as Gopala and representative of the presence of Goshalas.\u003cbr\u003e\u003cbr\u003eMiniature vignettes populate the corridors, showing priests in traditional attire performing daily rituals and devotees moving through the various darshans. These scenes create a sense of temporal depth, showing different times of the day occurring simultaneously within one frame.\u003cbr\u003e\u003cbr\u003eThe entire composition is contained within a bold deep red border, focusing energy inward toward the sacred map and effectively turning the canvas into a portable shrine. This painting is not merely decorative but acts as a sacred cartography for devotees, guiding them through the spiritual journey of the Haveli.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Trilok Prakash Soni","offers":[{"title":"Default Title","offer_id":48270570619094,"sku":null,"price":338000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1194\/1498\/files\/1._Shreenathji_Temple_at_Nathdwara_in_Pichwai_by_Trilok_Prakasn_Soni.png?v=1779101406"}],"url":"https:\/\/www.memeraki.com\/collections\/trilok-prakash-soni.oembed","provider":"Memeraki Retail and Tech Pvt Ltd.","version":"1.0","type":"link"}