Kalighat Paintings: The Satirical Pop Art of 19th-century Kolkata


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By Anushka Roy Bardhan

5 min read

Table of Content

What if Indian society had its own pop culture chroniclers in the 1800s? It did and Kalighat paintings were one of such kinds that weren’t created for galleries. They were made for the streets, the masses, scathing, satirical, and strikingly self-aware. Originated in the temple lanes of Kolkata, these works recorded the everyday absurdities of urban life with unflinching honesty and unforgettable flair.

Image source: https://www.indianartscollective.com/kalighat-painting/

The Origins of Kalighat Art 

Kalighat painting originated in the early 19th century, within the temple precincts of Kalighat in colonial Kolkata. It was here that Patua families, traditional scroll painters from rural Bengal, migrated, lured by the promise of the city’s spiritual and economic life. Initially, they painted Hindu deities like Kali, Durga, Shiva for sale to pilgrims visiting the Kalighat temple.

But the gods soon made space for mortals. As the Patuas observed the rapidly changing urban society around them, their canvas widened and got popular. The paintings evolved into secular narratives, satirical in tone and striking in execution. Using handmade paper, natural pigments, ink, and humble brushes, they began chronicling the absurdities of colonial life.

The Tantric in Kalighat by Bapi Chitrakar

The Social Satire of Kalighat

Kalighat’s true genius lies in its fearless satire, art that held up a mirror to 19th-century Bengali society, not to flatter, but to expose. With fluid brushstrokes and a sharp eye, the Patuas turned everyday scenes into visual critiques, blending wit with wisdom. 

The Mockery of Babu Culture

Kalighat artists cleverly exposed the pretensions of the Westernised Bengali babu, men desperate to imitate their colonial rulers. With puffed-up postures, cigars in hand, and mistresses in tow, these figures embodied moral duplicity and hollow sophistication. Their exaggerated elegance wasn’t admiration, it was ridicule.

A Whirlwind Adventure: A Kalighat Painting by Uttam Chitrakar

Priests and the Fall of Piety

Religious figures, once revered, were stripped of sanctity in Kalighat’s bold frames. Priests were often shown pocketing alms, engaging in flirtation, or behaving duplicitously. The message was clear: piety without integrity is just performance. Faith was no longer above critique, it was held accountable.

Women, Whispers, and Domestic Satire

Kalighat didn’t portray women solely as submissive or virtuous. Instead, it offered a layered commentary, wives sharing secrets, confronting unfaithful husbands, or asserting quiet resistance. The home, often considered a moral refuge, became a stage for social games, control, and contradiction.

Colonial Power, Cartooned

British officers, symbols of colonial authority were reduced to figures of fun. Their bloated features, awkward gestures, and comic situations turned power into parody. Kalighat subtly flipped the narrative: the coloniser was no longer feared, but laughed at.

Art for the People

Unlike classical court art, Kalighat paintings were rooted in public discourse. Sold outside the Kalighat temple, they were affordable and immediate. These works spoke the language of the street: accessible, sharp, and relatable. In many ways, Kalighat became the visual newspaper of its time.

Style as Satire

The technique itself was integral to the mockery. Flat backgrounds, bold outlines, and minimal detailing created a dramatic effect, like a visual punchline. Stylised movements and caricature-like faces heightened absurdity. The simplicity wasn’t naive, it was strategic.

The Ironic Decline

Ironically, as Kalighat grew popular, it lost its subversive edge. Mass production and tourist demand shifted its tone from satire to sentiment. What began as fearless social critique was diluted into decorative art. Yet, its legacy lives on in political cartoons, graphic novels, and street art that still challenge power through wit.

Kalighat Painting in the Modern Context

Though the golden period of Kalighat art faded by the early 20th century, its legacy is far from forgotten. Modern Indian artists like Jamini Roy were profoundly influenced by Kalighat's aesthetics, its earthy palette, its raw storytelling, and its defiant brushstroke. Today, scholars hail Kalighat as proto-graphic art: a direct forebear to the visual storytelling that floods contemporary culture, from Instagram art reels to graphic novels.

The Modern Society: A Portrayal of Changing Times in Kalighat by Bhaskar Chitrakar

Themes once painted in the bylane workshops of Kalighat on identity, excess, hypocrisy still resonate. In this rush of modern world, Kalighat painting offers a rare honesty and a deeper storytelling. Its simplicity carries subversion. And its humor masks a deeper discomfort, a reality check we still need.

Designers, curators, and culture houses are now revisiting Kalighat through contemporary formats. You’ll see its iconography on fashion runways, Instagram grids, digital installations, and NFT art. But beyond the glamour, a few platforms are helping preserve its roots.

MeMeraki Bringing Kalighat to the World

MeMeraki, a platform that collaborates with master artisans, brings India’s traditional art forms into the global consciousness. It hosts live, interactive workshops where master Patuas not only demonstrate the Kalighat technique but explain its biting satire, making ancient art breathe in new-age contexts. Their art kits allow learners to master the iconic Kalighat brushstroke, and more importantly, the layered storytelling it embodies.

Their e-commerce portal features a range of contemporary products, from hand-painted notebooks and tote bags to elegant wall hangings, all echoing the bold spirit of Kalighat. 

When Technology met Tradition

Conclusion

Kalighat may be over a century old, but it is no relic. It’s a living, breathing narrative style, loud, bright, political, and profoundly human. In a world racing toward sterile perfection, Kalighat reminds us to pause, laugh at our flaws, and speak our truths, even if in satire.

So, whether it’s through a scroll, a painting, or a notebook on your desk, let your walls speak in bold brushstrokes. Let them speak Kalighat.

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