Navagunjara in Pattachitra by Gitanjali Das

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₹218,000

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Size Medium
Dimensions H: 36 | W: 54 inches
Medium Natural Colors on Tussar Silk Fabric
Customization Available
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About the Artwork +

This intricate Pattachitra painting depicts Navagunjara, a mythical creature from the Odia Mahabharata.

Pattachitra is a traditional, cloth-based scroll painting from Odisha and West Bengal, India. Meaning "picture on cloth" in Sanskrit, this ancient art form is celebrated for intricate mythological storytelling, bold outlines and the exclusive use of natural, earth-derived pigments.

The Navagunjara is a divine manifestation of Lord Vishnu that appears in Arjuna’s vision during his exile. According to the tale, Arjuna, during his deep meditation in exile, encounters this strange and terrifying form in the forest. Confused and alarmed, he prepares to attack Navagunjara with his bow and arrow. But as he aims, he notices the creature holding a lotus and a sacred weapon, realizing it cannot be understood as a mere beast. Just as Arjuna lowers his weapon in a gesture of surrender, he realizes that this vision represents the supreme truth, where all forms, gods, and energies exist as one divine reality. It teaches Arjuna that the divine universe cannot be limited to a single shape, identity, or human understanding.

The creature is formed from nine different animal and human parts: rooster (head), peacock (neck), camel (hump), lion (waist), tiger (leg), elephant (front leg), horse (hind leg), serpent (tail) and a human arm.

Each part carries a deep symbolic meaning. The rooster’s head is in a vibrant red and represents awakening, alertness and courage. The peacock neck is in serene blue and symbolises beauty, grace and spiritual purity. The camel hump represents endurance, resilience, and patience, while the lion waist symbolises majesty, royalty, and inner strength. The tiger leg symbolises power and fearlessness, and the elephant leg stands for wisdom, stability, and dignity. The horse leg symbolises energy and the swift movement of life, while the serpent tail, shown with a striking open cobra hood, represents transformation, time, and eternity. Finally, the human arm represents consciousness, intentional action, and divine grace.

The overall composition has a rich dark blue background with natural earthy surroundings, creating a strong contrast with the divine figure. The body of Navagunjara is divided into distinct, colorful zones, with the upper body and head rendered in shades of blue and white, the camel hump and torso area in earthy greys and whites, the tiger leg in a vibrant yellow with stripes, and the horse leg in a soft reddish-brown tone. The scene is divided into layered spaces typ

ical of Pattachitra storytelling, where figures are arranged in compact narrative zones. Within the body of Navagunjara, several miniature representations of deities like Brahma, Shiva, Parvati, Durga, Ganesha, avataras of Vishnu like Narasimha and other dynamic scenes are shown. This placement symbolises co-creation and harmony, showing that all divine energies and powers exist together in one form. It reflects the idea that every force in the universe, whether soft, strong, protective, or creative, exists in unity.

Navagunjara is also shown holding a divine attribute of Lord Vishnu, lifting the Sudarshan Chakra (divine discus) high in its human hand, which further confirms its identity as a manifestation of the supreme deity.

The background elements further anchor the narrative within the sacred forest of Kamyaka, where the encounter takes place. A slender, highly stylized tree with a sprawling canopy of finely detailed green leaves frames the right side of the composition, its branches extending over the divine creature like a natural parasol. In the upper left corner, Arjuna is depicted with a deep blue complexion, clad in traditional warrior attire with a quiver of arrows visible on his back. Dropping his bow in complete awe and reverence, he kneels humbly on the rocky, multi-hued forest floor, joining his hands in a profound gesture of devotion (Anjali Mudra). This striking juxtaposition between the monumental, multi-faceted deity and the surrendered warrior provides a powerful conclusion to the visual narrative, capturing the precise moment were terrifying confusion dissolves into spiritual enlightenment.


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Due to high demand for artworks from this artist, the delivery timelines are currently 1-3 weeks.

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All artworks on the website are hand painted from scratch by our master artists. This makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.


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Gitanjali Das

Gitanjali Das
Gitanjali Das is a National Award-winning Pattachitra artist from Dandasahi village, Puri, Odisha, who began her artistic journey at age ten, mastering the traditional painting style under Guru Shri Arjun Maharana. She extends her artistry to materials like tassar silk and is dedicated to promoting Pattachitra, viewing her work as a devotional service to spread the spiritual and traditional values of Jagannath culture. Her achievements include participation in the Janapada Indigenous Art Workshop Series and features in Asian Art London and the Deccan Herald. Following her husband's passing, she is committed to restoring the temple artistic tradition and preserving Jagannath culture, advocating for artist support to ensure the survival and value of this ancient art form.

Pattachitra


Pattachitra, a timeless folk art from Odisha and Bengal, is characterized by its meticulous linework, vibrant natural colors, and mythological storytelling, often depicting tales from Hindu epics and dedicated to Lord Jagannath. Originating over a thousand years ago, with strong ties to the 12th-century Jagannath temple in Puri, this art form utilizes traditional techniques, including canvases made from treated cotton cloth, natural pigments derived from shells, soot, turmeric, and cinnabar, and fine brushes made from animal hair. Its cultural and religious significance is profound, integral to festivals like Rath Yatra and serving as a vital livelihood for artisan families, with variations including Jagannath, Radha Krishna, and Durga Pattachitra, as well as palm leaf and wall paintings.



Product Details

Title Navagunjara in Pattachitra by Gitanjali Das
Artist Gitanjali Das
Art Style Pattachitra
Medium Natural Colors
Size Medium
Dimension 36 in(H) X 54 in(W)
Themes Folk Art
Color Multicoloured
Country of Origin Odisha, India
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