The Hunt Intertwined: A Wooden Hunting Showpiece wooden carving by Ajit Kumar

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Size : Medium
Dimensions : H: 16 in , Dia: 4 in

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About the Artwork +

This wooden carving of the hunting showpiece by Ajit Kumar depicts a riveting scene of a lion and an elephant aggressively lunging forward in the same direction. The carving captures the intense energy and power of the moment, freezing the dynamic movement in time. Both the lion and the elephant are portrayed with determined expressions, showcasing their relentless pursuit and determination. The intricate details of the carving bring the lion and the elephant to life, highlighting the muscles, fierce features, and sheer strength of both animals. The choice of wood adds depth and warmth to the artwork, complementing the natural essence of the scene. This showpiece represents the fierce clash between two mighty forces in the animal kingdom, symbolizing the eternal struggle for survival and dominance. It captures the primal instincts, instincts, and the unyielding nature of these majestic creatures.

Sizes, Framing and Customisation +

Sizes are mentioned on the top of the page under the product title. Please note as these are handmade products thus the sizes are an approximation as each product is unique.

Frames shown are for visual representation only and are not included with the artwork. We offer framing services on demand at additional costs. If you wish to get your artwork framed, please reach out to us on WhatsApp or email.

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International Shipping and Taxes +

We ship worldwide, Our Prices are inclusive of GST/Taxes in India. For International Orders, any specific custom duties you may encounter in your home country during the delivery has to borne by the buyer.

For all artworks expect Lippan and Terracotta, No additional charges are applicable for domestic deliveries. For International Orders shipping charges of 2500 INR are applicable.

For Lippan and Terracotta Artworks, We charge a Shipping rate on a per Kilogram basis. You can see your final Shipping Rate before checkout or view our pricing here.

Shipping and Returns +

All products are packed and couriered securely in our packaging.

Ready To Ship/ In Stock products are shipped in under 2 weeks. We only accept return requests for Ready to Ship/ In stock products placed within a week from date of delivery, however no returns can be accepted for international deliveries.

Made To Order products will take 2-3 weeks to be made and shipped once they are ready. Returns are not applicable on Made To Order products.


Most products on our website are handmade from scratch by our master artists. That makes every product absolutely unique and the actual colour and overall look may vary only slightly from the product image posted here.

Ajit Kumar blue-tick


Ajit Kumar, a 70-year-old artist residing in New Delhi's Palam Colony, traces his artistic journey back to 1976 when he first began his craft, initially working with ivory until its ban in 1990. Transitioning seamlessly to sandalwood and then wood, Ajit's dedication to his artistry was nurtured under the guidance of his late guru, Guruji Babu Ram Verma. Hailing from Punjab's Gurudaspur district, Ajit's educational journey culminated with his 10th standard from the Punjab Education Board, before embarking on a path adorned with accolades such as National Merit and State Awards, showcasing his talent at prestigious events like the Suraj Kund Mela.

Renowned for his exquisite rosewood creations, Ajit's designs reflect his meticulous craftsmanship, often featuring intricate undercut work and elaborate hunting and rose motifs. Despite challenges such as limited demand and setbacks like the world trade center incident and subsequent economic upheavals, Ajit's unwavering commitment to his artistry remains unshakeable. While he now works solely for passion, having left his shop behind, Ajit's enduring legacy is evident in the pieces he has meticulously crafted, each bearing witness to a lifetime dedicated to the pursuit of artistic excellence amidst life's trials and triumphs.

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