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This dynamic Mata ni Pachedi by artist Sanjay Chittara offers a sprawling, multi-layered vision of New Delhi. It vividly captures India's capital—a proud, intricate canvas that weaves together vibrant contemporary life, iconic historical landmarks, and rich traditional culture.
Mata ni Pachedi is a traditional cloth painting from Gujarat, which literally means "behind the mother goddess." Traditionally depicting deities and their myths, it is known for its strong lines, deep colors (often red, black, and white), and narrative scenes.
At the center of the composition is the City's Narrative, a bustling and continuous flow of modern Indian life that symbolizes the unending energy, complexity, and historical depth of the metropolis. The painting is horizontally divided into three main zones: The top layer beautifully illustrates Delhi's contemporary face, showing from left to right, the distinct Lotus Temple, the modern architecture of IIT Delhi, the expansive Airport Terminal 3, and other significant buildings, all under a blue sky traversed by yellow airplanes, representing flights. The expansive middle layer, dominated by a deep red, dynamically portrays the vibrant street life and iconic landmarks: India Gate stands prominently at the center, flanked by the historic Qutub Minar, the astronomical Jantar Mantar, and the majestic Red Fort, amidst various modes of transport like trains, auto-rickshaws, bikes, taxis, and cycles. This layer also teems with life, depicting various food stalls, festive celebrations, children playing cricket and other games, and people in vibrant clothes, showcasing the rich tapestry of Indian culture and daily life. The bottom layer, rendered in bright yellow, depicts scenes of traditional rural activities, including fishing, agriculture, and animal husbandry, along with figures sitting and meditating, connecting the narrative to broader Indian heritage and rural roots.
The color palette is characterized by three bold, distinct horizontal bands: a deep, striking red dominates the central, active space; bright yellow anchors the bottom layer of traditional life and the Rashtrapati Bhavan; and a vibrant blue sky caps the top layer. All narrative elements are rendered in white, black and intricate line work, creating a sharp, graphic pattern where modern architecture and historic sites stand out dramatically against the solid colored fields.
This culturally significant and visually arresting artwork is a great addition to any collection, serving as a powerful, contemporary commentary on Indian urbanization, history, and tradition rendered in a spectacular, ancient art form.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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The sizes mentioned are excluding the borders of the artwork. Frames shown are for visual representation only and are not included with the artwork.
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Most artworks can be customised in terms of colours, size and elements to fit your requirements.
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No, we currently sell artworks unframed (unless explicitly mentioned otherwise) and do not provide framing services.
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We offer replacements or repairs if your artwork arrives damaged or has a quality issue. As each artwork is handcrafted, we do not accept returns or refunds for orders received in the expected condition.
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Ready To Ship/In Stock artworks are shipped in 3-4 days. We only accept return requests for Ready to Ship/In stock artworks placed within a week from date of delivery. However, no returns can be accepted for international deliveries.
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All MeMeraki artworks are hand-painted. In rare occasions, artist may face delays due to weather, health, prior commitments or force majeure. Our team will reach out to you with revised timelines in case of such delays. We appreciate your understanding and patience in such situations.
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Instantly available and ready to transform your space! These pre-created artworks have been carefully crafted and are in stock, no waiting time required.
Every artwork can be customized to fit your space, your palette,
and your sensibilities. Truly bespoke, from the first stroke.
Add, remove, or swap elements from the artwork. A symbol, a flower, a bird, anything that holds meaning for you.
Portrait, landscape, or square. We adapt the composition to suit your wall and available visual space.
Share room references and we tune tones to match your decor so the artwork feels naturally integrated.
From a statement-sized piece to compact dimensions, the final size is created for your exact layout.
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Mata ni Pachedi is a traditional folk art form from Gujarat, India, created by the nomadic Vaghari community, known for its vibrant depictions of Hindu goddesses, particularly the mother goddess, Mata. Literally translating to "behind the goddess," these artworks were traditionally used as backdrops in shrines, evolving from portable shrines created by the marginalized Vaghari community who were denied temple entry. Characterized by bold, dynamic compositions with the goddess at the center, surrounded by devotees and symbolic animals, the art uses an earthy palette of black, red, and white, symbolizing protection, strength, and purity, respectively. It is traditionally created on cotton cloth using natural dyes, with outlines drawn using a bamboo stick dipped in black dye made from jaggery and iron, and colors filled in from natural sources like turmeric and indigo. This labor-intensive process results in intricate designs and patterns, making Mata ni Pachedi a profound expression of devotion, a testament to the Vaghari community's resilience, and an important part of India's cultural heritage.
| Title | The City of Delhi in Mata ni Pachedi by Sumit Chitara |
| Artist | Sumit Chitara |
| Art Style | Mata Ni Pachedi |
| Medium | Natural Colors |
| Size | Large |
| Dimension | 60 in(H) X 60 in(W) |
| Themes | Tree |
| Color | Multicoloured |
| Country of Origin | Gujarat, India |
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