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This Madhubani painting by Pratima Bharti is a striking representation of Ardhanareeswara, the composite androgynous form of the Hindu deities Shiva and Parvati. Rendered in the vibrant Bharni style of the Mithila tradition, the work uses a dense application of color and intricate patterns to illustrate one of the most profound philosophical concepts in Indian iconography.
Ardhanareeswara is a combination of three words “Ardha,” “Nari,” and “Ishwara” means “half,” “woman,” and “lord,” respectively, which when combined means the lord whose half is a woman. It is believed that the God is Lord Shiva and the woman part is his consort Goddess Parvati or Shakti. The seed of this creation is the perfect conjugal union of Shiva and Parvati, the symbols of domestic bliss, asceticism and destruction. It conveys the unity of opposites in the universe. The male half stands for Purusha (pure consciousness) and the female half is Prakriti (nature or creative energy). Ardhnarishwar is complete because the Masculine experiences Feminine by being physically fused with it and vice versa. It also symbolizes attunement with your own feminine/masculine angles. Together, they are at once the symbol of individual perfection and the magnificent harmony that a compatible wedding brings.
In this depiction, the figure is split vertically down the center to show the seamless integration of the two deities. The Shiva half, on the proper right, is shown with blue skin, a characteristic trait of his Neelkanth form. He wears a tiger-skin wrap, rendered here with a vibrant orange and black flame-like pattern. His two arms on this side hold his traditional attributes, including the Trishula (trident) positioned to the far left. A crescent moon adorns his dark hair, signifying his role as the master of time. The Parvati half, on the proper left, is shown with a fair, peach-colored complexion. She is draped in a rich green and red sari, adorned with delicate floral buti patterns and geometric borders. Her jewelry, including the heavy bangles and the nose ring (nath), emphasizes her role as the ideal householder and the embodiment of beauty.
The central figure is set against a background brimming with Mithila symbolism. Two large peacocks, symbols of love and grace, frame the upper corners, their plumage rendered in deep purple and green. The surrounding space is filled with stylized blossoms and swirling vines, representing the life-force of Prakriti. The entire composition is enclosed within a multi-layered border featuring a rhythmic Singada (water chestnut) pattern in red, blue, and yellow, which anchors the divine energy of the central form. Pratima Bharti’s mastery of fine linework and balanced color ensures that while the composition is dense, every element remains distinct and contributes to the overall harmony of the piece.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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The sizes mentioned are excluding the borders of the artwork. Frames shown are for visual representation only and are not included with the artwork.
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Due to high demand for artworks from this artist, the delivery timelines are currently 0-2 weeks.
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All MeMeraki artworks are hand-painted. In rare occasions, artist may face delays due to weather, health, prior commitments or force majeure. Our team will reach out to you with revised timelines in case of such delays. We appreciate your understanding and patience in such situations.
All artworks on the website are hand painted from scratch by our master artists. This makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.
Each piece is crafted specifically for you upon order. Our talented artists work closely with your preferences to create a one-of-a-kind masterpiece.
Every artwork can be customized to fit your space, your palette,
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Madhubani art, also known as Mithila art, originates from the Mithila region of Bihar, India, and is celebrated for its intricate patterns, vibrant colors, and profound cultural significance. Traditionally created by women on walls and floors during auspicious occasions, these paintings depict Hindu mythology, nature, folklore, and daily life, often incorporating Hindu deities, scenes from epics, and natural motifs like flowers and animals. Legend suggests its origins trace back to King Janak's commission for Sita's wedding. Artists traditionally use natural pigments from plants and minerals, applied with homemade bamboo and cotton brushes, filling the entire surface with fine detail. While some contemporary artists use synthetic paints, many maintain traditional methods. The art form gained international recognition in the 1960s and has since expanded to various mediums beyond walls, including canvases and textiles. Distinct styles like Kachni (line art), Bharni (filling art), Godna (tattoo art), Tantrik (spiritual), and Kohbar (marriage rituals) exist, each with unique characteristics. Madhubani art holds immense cultural, social, and religious importance, preserving stories, providing livelihood for women artists, and serving as a vibrant expression of India's rich heritage.
| Title | Ardhanishwar in Madhubani by Pratima Bharti |
| Artist | Pratima Bharti |
| Art Style | Madhubani |
| Medium | Natural Colors |
| Size | Medium |
| Dimension | 30 in(H) X 22 in(W) |
| Themes | Shiva, Parvati, Hindu, Mythology, Religious |
| Color | Red, Yellow, Orange, Green, Blue |
| Country of Origin | Bihar, India |
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