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48.0 × 72.0 in · Natural Colors on Cloth
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This expansive, highly complex horizontal Kalamkari textile by Harinath N. presents a masterful, multi-figured visualization of the Srinivasa Kalyanam (the divine wedding of Lord Venkateswara, a form of Lord Vishnu and Goddess Padmavati). Serving as a magnificent piece of visual scripture, the layout utilizes a strict hierarchical architecture to map a crowded assembly of celestial and earthly witnesses around a central ritual fire.
The focal center of the upper register features the dark cerulean-blue skinned Lord Srinivasa standing in regal majesty, gently holding the hand of his consort, Goddess Padmavati, who is rendered in a warm, golden-yellow pigment. Lord Venkateswara is adorned with a towering, multi-tiered golden crown (mukut) filled with fine-line cross-hatching, heavy multi-stranded pearl garlands, and armlets defined by sharp black pen-strokes. Goddess Padmavati is draped in a magnificent crimson-red wedding sari patterned with a dense grid of fine dots and an elaborate gold-woven border. They stand directly over the holy fire altar (Homa Kundam) with their hands intertwined, which sends up stylized orange and black flames to consecrate their vows. They are flanked immediately by other gods and goddesses, royal priests chanting hymns, and female attendants holding auspicious platters, all dressed in intricately striped and dotted traditional vestments.
Beside Lord Venkateshwara, holding his shankha (conch) and chakra (discus) is Lord Shiva, with a tiger skin wrapped around his waist, holding a deer and damru in his upper hands, and the lower hands held in the abhaya mudra (gesture of protection and fearlessness) and varada mudra (gesture of blessings or boon-giving), his face adorned with a third eye and crescent moon.
Beside him stands Brahma, the four-faced creator deity, with his hands held in the abhaya and varada mudra. To his left is Garuda, depicted in green, the celestial eagle vahana of Vishnu, with his hands folded in the anjali mudra.
To the right, beside Goddess Padmavati, stand a row of goddesses and celestial women. Goddess Sarasvati, associated with knowledge, music and the arts, is shown holding a veena with a peacock handle.
The upper corners and celestial canopy expand the narrative into the heavens. Witnessing the union from a light-blue sky register are flying gandharvas who rain delicate flowers down upon the couple. The lower register functions as a rhythmic, horizontal courtly space, hosting a dense assembly of ten seated sages and divine musicians. These figures are captured playing traditional instruments, their robes a marvel of Srikalahasti detail featuring repeating diamond grids, floral scrolls and hand-hatched shawls.
The entire cosmic assembly is enclosed within an opulent, multi-layered border consisting of alternating rows of geometric rosettes and running floral vines, all bounded by a thick, solid maroon-red cloth edge.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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The sizes mentioned are excluding the borders of the artwork. Frames shown are for visual representation only and are not included with the artwork.
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We offer replacements or repairs if your artwork arrives damaged or has a quality issue. As each artwork is handcrafted, we do not accept returns or refunds for orders received in the expected condition.
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Ready To Ship/In Stock artworks are shipped in 3-4 days. We only accept return requests for Ready to Ship/In stock artworks placed within a week from date of delivery. However, no returns can be accepted for international deliveries.
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All artworks on the website are hand painted from scratch by our master artists. This makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.
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Kalamkari is an ancient Indian art form of painting or printing on fabric using natural dyes and intricate penwork, with its name literally meaning 'craftwork done with a pen'. Flourishing under the Mughals and later the Golconda and Coromandel Sultanates, its prominent centers are Srikalahasti and Machilipatnam in Andhra Pradesh. This art form traditionally depicts Hindu mythological epics like Mahabharata and Ramayana, featuring deities and common occurrences, characterized by rounded faces, large eyes, and detailed costumes. Legend connects its origin to Radha teaching the art in Machilipatnam and its use on Hanuman's flag. The meticulous technique involves preparing cotton or silk fabric, outlining designs with a 'kalam' (bamboo or palm stick dipped in fermented jaggery and water) acting as a natural mordant, and then filling in patterns with natural dyes from plants, roots, and minerals. Authentic Kalamkari is identified by hand-drawn or block-printed designs, natural dyes, traditional patterns, and slight imperfections, with motifs often inspired by nature, mythology, and folklore, each carrying cultural and symbolic significance. Harinath N, Sudheerji, and Siva Reddy are notable master artists of this intricate and time-consuming art.
| Title | Srinivasa Kalyanam in Kalamkari by Harinath N |
| Artist | Harinath.N |
| Art Style | Kalamkari |
| Medium | Natural Colors |
| Size | Large |
| Dimension | 48 in(H) X 72 in(W) |
| Themes | God |
| Color | Red, Blue, Multicoloured |
| Country of Origin | Andhra Pradesh , India |
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