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24.0 × 14.0 in · Natural Colors on Paper
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This striking and beautifully composed Kailghat painting by Sonali Chitrakar explores a close-up narrative moment from the Shakta tradition, focusing on the direct confrontation between Goddess Durga and the kneeling demon king, Mahishasura. Characterized by its monumental focal figures and bold contours, the composition masterfully handles traditional sacred iconography through a vibrant folk lens.
Kalighat painting is a traditional art form that originated in the 19th century around the Kalighat Temple in Kolkata, Bengal, practiced by the Patua community. It is celebrated for its sweeping, lyrical brushstrokes, bold color fills, and a unique blend of mythological themes with satirical commentary on contemporary life. Traditionally executed with water-based pigments on paper, this style is renowned for its rapid, expressive line-work and minimalistic backgrounds that emphasize the volume and dramatic expressions of the central figures.
The composition centers on the golden-skinned Goddess Durga standing majestically in a slightly tilted posture. Her ten divine arms fan out symmetrically behind her upper torso like a radiating wheel, each hand rendered in warm orange tones and detailed with fine silver weapons and attributes outlined in white, including a bow, arrow, shankha (conch), khada (sword), spear,etc. . She holds a long white trident (trishula) vertically down her center. Her face features three large, dramatic white-rimmed eyes, a prominent nose ring, and a bright crimson lip, topped by a magnificent golden crown. She is garbed in an opulent, deep plum-colored sari decorated with alternating thick black pleat lines and a delicate, cross-hatched white lace border.
Kneeling submissively at her feet on the right is the green-skinned Mahishasura, emerging from the buffalo form, his face turned upward in profile, detailed with a thick black mustache and a silver crown. He wears an elaborate, white-hatched armor vest over a blue garment patterned with fine white motifs. Balancing the lower right corner is the forward-facing head of Durga's fierce tiger companion, rendered in bright yellow with bold black stripes and large, alert eyes. The entire narrative scene unfolds against a solid, deep maroon background highlighted by a soft blue-grey circular halo behind the goddess's head, enclosed within a thin black frame.
The artwork stands as a classic testament to the protective majesty of the divine feminine. Through her bold juxtaposition of the serene, upright goddess against the compressed, kneeling form of the demon king, Sonali Chitrakar masterfully uses the sweeping lines of the Patua tradition to deliver a visually captivating statement on spiritual triumph.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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Kalighat painting is a traditional Indian art form that originated in the 19th century near the Kalighat Kali Temple in Kolkata. It is known for its bold lines, vibrant colors, and minimal backgrounds, influencing artists like Jamini Roy. Initially devotional souvenirs for pilgrims, the themes expanded to include social satires, depicting figures like Goddess Kali, Babu & Bibi, and Cat with the Fish. Artists, known as 'patuas,' used natural pigments on paper or cloth, sometimes incorporating European realism for British patrons. Although it declined with the rise of machine prints, recent efforts by artists, government, and connoisseurs are reviving this culturally and historically significant art form through exhibitions and workshops.
| Title | Mahishasura Mardini in Kalighat by Sonali Chitrakar |
| Artist | Sonali Chitrakar |
| Art Style | Kalighat |
| Medium | Natural Colors |
| Size | Medium |
| Dimension | 24 in(H) X 14 in(W) |
| Themes | Durga |
| Color | Multicoloured |
| Country of Origin | West Bengal, India |
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