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28.0 × 20.0 in · Paper
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Takes approximately 1 week to handcraft
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This Sanjhi artwork by Ashutosh Verma is a luminous example of the traditional Braj paper-cutting art, showcasing a sacred narrative through the delicate interplay of negative space and gold-on-green pigments. The Sanjhi technique requires immense patience and precision, as each leaf and figure is meticulously hand-cut to form a cohesive, layered composition from a single surface. The color palette is particularly striking, featuring a rich forest-green paper background that provides a natural, earthy contrast to the brilliant gold-toned paper used for the deity and the landscape. This choice of colors evokes the lush environment of Vrindavan while imbuing the piece with a regal, divine radiance that makes the central figures appear as if they are glowing from within.
At the base of the composition, Lord Krishna is seen sitting on a massive Kadamba tree, his flute held to his lips as he plays a divine melody. Above him, the tree's canopy expands into a vast, perfectly circular crown filled with thousands of individually rendered leaves that create a shimmering, textured effect across the top half of the frame. To the right of the trunk, a group of three cows stands in rapt attention, their forms overlapping as they look toward the divine music in a display of peaceful devotion. Tiny birds and stylized floral motifs are scattered throughout the surrounding space and within the foliage, adding a sense of movement and life to the otherwise serene and symmetrical scene. This magnificent work by Ashutosh Verma beautifully harmonizes the fragility of paper with the eternal strength of devotion, capturing the peaceful soul of the Krishna Leela within a shimmering golden forest.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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The sizes mentioned are excluding the borders of the artwork. Frames shown are for visual representation only and are not included with the artwork.
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We offer replacements or repairs if your artwork arrives damaged or has a quality issue. As each artwork is handcrafted, we do not accept returns or refunds for orders received in the expected condition.
Delivery Timeline
This artwork will be Made to Order and will take 1-2 weeks to be made and shipped.
Once your order is placed, our team stays in constant communication with the artist to track the progress and ensure the quality of your order. You will receive regular updates from us throughout this process.
All MeMeraki artworks are hand-painted. In rare occasions, artist may face delays due to weather, health, prior commitments or force majeure. Our team will reach out to you with revised timelines in case of such delays. We appreciate your understanding and patience in such situations.
All artworks on the website are hand painted from scratch by our master artists. This makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.
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Each piece is crafted specifically for you upon order. Our talented artists work closely with your preferences to create a one-of-a-kind masterpiece.
Every artwork can be customized to fit your space, your palette,
and your sensibilities. Truly bespoke, from the first stroke.
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Sanjhi painting, also known as Sanjhi art, is a traditional Indian stencil-based paper-cutting craft originating in the Mathura and Vrindavan regions of Uttar Pradesh, revered for its delicate intricacy and spiritual symbolism rooted in centuries of Krishna Bhakti devotion. Artists meticulously hand-cut fine handmade paper into lace-like patterns, often depicting mythological narratives, religious symbols, and floral motifs, with a central focus on the visual storytelling of Lord Krishna's life and his playful moments with Radha. Traditionally used to decorate temple walls and altars during festivals, Sanjhi evolved from a devotional stencil art with influences from Mughal and Pahari aesthetics, maintaining its spiritual focus while enhancing its artistic language. The technique emphasizes precision and balance, with artists using sharp tools to remove negative space and create mesmerizing symmetrical designs, treating each piece as a meditative and devotional act. Beyond its visual appeal, Sanjhi painting serves as a spiritual language of love, faith, and cultural identity, bridging ritual devotion with contemporary appreciation of Indian heritage arts through its symbolic and symmetrical patterns.
| Title | Krishna under the Kadamba tree in Sanjhi by Ashutosh Verma |
| Artist | Ashutosh Verma |
| Art Style | Sanjhi |
| Medium | |
| Size | Medium |
| Dimension | 28 in(H) X 20 in(W) |
| Themes | Tree |
| Color | Green |
| Country of Origin | Uttar Pradesh, India |
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