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This Kalighat painting by Uttam Chitrakar is an intricate Durga Puja family portrait, traditionally known as Chala Chitra or Sabarno Ekchala iconography, rendered without the signature vibrant pigments of the 19th-century Bengali folk art tradition. By stripping away color, the artist relies entirely on the school's hallmark economy of line, utilizing fluid, ink-based contours and grey shading to define a dense, monumental gathering of the complete divine family of Bengal.
In Bengali Hindu tradition and Agamani folklore, the annual autumn festival of Durga Puja celebrates the goddess Durga returning to her maternal home from Mount Kailash, accompanied by her consort and four children. The composition organizes this divine assembly into a beautifully balanced artwork.
Reclining at the upper left is Lord Shiva, depicted with matted hair (jata), a crescent moon, and his signature Trishula (trident) resting in his arm. He wears a textured tiger-skin loincloth, his serene face bearing a third eye (trinetra). Seated to the upper right is Maa Durga in a calm, meditative posture, her crown (mukut) radiating a broad, sunburst-like cosmic halo. Her right hand is raised in the Abhaya Mudra (gesture of fearlessness). Placed precisely between the divine couple is her vahana (vehicle), a fierce, stylized lion with sharp ears and a wild mane.
In the central portion stands Mata Saraswati, the Goddess of knowledge and the arts. She is shown in a graceful stance, cradling her signature stringed Veena diagonally across her torso and sitting on her vahana, the swan. To her left stands her sister, Mata Lakshmi, the Goddess of wealth, abundance and prosperity. She is shown holding a sacred Kalasha (pot of abundance) delicately in her hand, symbolizing spiritual and material well-being, with her vahana, the owl, beside her.
In the lower half of the composition is the elephant-headed Lord Ganesha, the remover of obstacles. He is depicted kneeling, his trunk curling inward, while a pot of ladoos (his favourite sweet) is placed in front of him. Standing beside him is his vahana, Mushaka, looking up in devotion. Next to him sits Lord Kartikeya, the commander of the divine army, wearing an aristocratic cap reminiscent of princely attire. He cradles his grand vahana, a magnificent peacock with a long, sweeping tail that curls behind him.
The environment bridges the celestial with the regional landscape of rural Bengal. The entire assembly is nestled within a dense forest grove. Above the deities, fine line-work creates a canopy of interconnected tree branches heavily filled with stylized leaf patterns. The ground below is rendered as a meadow of mounds, heavily textured with fine, repetitive crescent strokes that mimic grass or wild shrubs. In the lower right corner, is a pond filled with stylized lotus leaves (padma patra) and buds pushing upward through wavy water lines, indicative of the autumn season of Akaal Bodhan (Durga Puja).
The painting features the foundational strength of the Kalighat school. Without the aid of contrasting pigments, the artist relies entirely on varied line weights to create depth. Thick, sweeping outer lines trace the physical volume of the figures and the dramatic fan of Ganesha's ears, while ultra-fine cross-hatching and dot matrices are used to texture the blouses, dhotis, and jewelry of the deities. The extensive use of dark indigo washes along the inner contours creates a glowing, volumetric effect against the handmade paper. This innovative treatment strips away the festive distraction of color, forcing the focus entirely on the pure form, complex iconographic structure and deep spiritual reverence embedded within Bengal’s sacred folk heritage.
Each of our artworks are hand painted by master artists across India. We provide a digital authentication certificate with this artwork signed by the artist which will be sent over email after 3-4 days of delivery of the artwork.
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This artwork will be Made to Order and will take 2-3 weeks to be made and shipped.
Once your order is placed, our team stays in constant communication with the artist to track the progress and ensure the quality of your order. You will receive regular updates from us throughout this process.
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All artworks on the website are hand painted from scratch by our master artists. This makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.
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Each piece is crafted specifically for you upon order. Our talented artists work closely with your preferences to create a one-of-a-kind masterpiece.
Every artwork can be customized to fit your space, your palette,
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Kalighat painting is a traditional Indian art form that originated in the 19th century near the Kalighat Kali Temple in Kolkata. It is known for its bold lines, vibrant colors, and minimal backgrounds, influencing artists like Jamini Roy. Initially devotional souvenirs for pilgrims, the themes expanded to include social satires, depicting figures like Goddess Kali, Babu & Bibi, and Cat with the Fish. Artists, known as 'patuas,' used natural pigments on paper or cloth, sometimes incorporating European realism for British patrons. Although it declined with the rise of machine prints, recent efforts by artists, government, and connoisseurs are reviving this culturally and historically significant art form through exhibitions and workshops.
| Title | Maa Durga's Family in Kalighat by Uttam Chitrakar |
| Artist | Uttam Chitrakar |
| Art Style | Kalighat |
| Medium | Natural Colors |
| Size | Medium |
| Dimension | 30 in(H) X 22 in(W) |
| Themes | God |
| Color | gray |
| Country of Origin | West Bengal, India |
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